The exhibition, hosted at the church of San Lorenzo, displays twenty large works, most of them altarpieces, by Guercino and his students, which until now were hidden from the public eye because they were kept in places that could not be visited
These works maintain a close dialogue with the heritage already on display in the Pinacoteca di Cento, as well as with other paintings hosted by the same church of San Lorenzo. Even though Guercino had already moved to Bologna starting from 1642, the paintings presented confirm the authoritativeness of a school that maintained its roots in Cento and reaffirm its indisputable originality.
Cento confirms itself as the nerve center of the celebrations of its great master a year after the reopening of the Civica Pinacoteca “il Guercino”, last autumn,...








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